Watch takers 2010 online free

There are two stories duking in out in TAKERS. One is a glitzy caper flick with a clever leader of a group of glamorous thieves with hearts of gold (mostly). The other is a gritty L.A. cop drama with a dedicated detective, the kind beset with the usual assortment of personal problems, trying the crack cases with limited resources and Internal Affairs breathing down his neck. Alas, the filmmakers decided to stack the deck in favor of the latter, making the two storylines barely tangential to one another. And yet one can discern through the haze that once there was a script that made an interesting juxtaposition of the thief and the detective, one that played on the personal and professional issues each faced and that might have been a solid drama. Too bad.

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The cop is Jack (Matt Dillon) and he is, of course, facing charges of excessive force, a divorce, and alienation from his beloved daughter. The thief is Gordon (Idris Elba), a man living the good life from his annual fiendishly clever and very high yielding robberies, but who is also dealing with a beloved sister on the verge of graduating from yet another in a series of trips to rehab. Their most recent annual heist has brought them to Jack’s attention, and while he is doing the grunt work of sifting through clues, Gordon is contemplating another heist much sooner than usual. The catch, one of many, is that it would have to happen within a week. The other, the most troublesome, is that the plan comes from a disgruntled former gang member, Ghost (T.I), one just out of prison and working with the Russian mob, which is yet another catch. That the plan is also acknowledged to be a variation of that found in THE ITALIAN JOB is, however, not a problem.

Dillon has the right dogged determination for the role of a cop haunted by personal failure and the futility of trying to stamp out crime once and for all. The film has little interest in him or his story, so engaged is it with the trappings of success found on the other side of the law. The point is not to unfold an engaging story, but rather to dwell lovingly on expensive cars, fancy clothes, rare liquor, and posh digs. The gang, Elba, Paul Walker Mike Ealy, Chris Brown, and Hayden Christensen, are all swell human beings, tithing part of their take to charity, and pretty much interchangeable personality-wise with a few quirks thrown in. Brown is in love. Christensen has hats and tatts. Walker has a hilltop home with a pool large enough for him and his lovelies to enjoy. All, including T.I. are devastatingly charismatic eye-candy, but are given little to do except look good in the clothes or, in Walker’s case at one point, out of them. The best and truest drama comes with Elba and Marianne Jean-Baptiste as Gordon’s sister, as they invest their characters with volumes of backstory and gravitas as they fondly remember their turbulent past and face the turbulent present with differing degrees of patience and success.

There is no question that the gentlemen bandits look fabulous strolling away in slo-mo from an explosion at the start of the flick. They are the epitome of cool and control, but that, in a nutshell, is all the film has to offer. The direction from John Luessenhop keeps the energy high, but imagination low as the action leads up inevitably to the extended chase that sprawls over streets, office buildings, subways, and the Hollywood Roosevelt Hotel. Sequences are devised for their visual possibilities rather than coherence, hence T.I. meeting his former associates first in the club one of them runs, and then in a hyper-covert operation at a hot dog stand involving everyone showing up whether involved in the transaction or not, some in disguise for no readily apparent reason.

TAKERS is a flick that substitutes style for actual storytelling. As lovely to look at as its stars, it’s never more than a wisp of a plaything scarcely worth the trouble to seek out.

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Up to 15 Strokes of Thin People Lose Weight and Decompression

“The recent pressure on the big”, “eat the meal did not” become a catch phrase employed by the modern people say hello. When we are in a great pressure, muscle tension, with the state in a race against time, not only the physical and mental fatigue, skin deterioration, but also lead to terrible you have the body fat of a circle together. We teach current editor from the “five physical sense” to gain the upper hand, the 15 small application of skills, little time to rest change, we can effectively alleviate the pressure, physically and mentally to play out Relax!

Five plans to develop a sense of

1. Visual Sight

Transfer eyes, trying to make eye to accept other information, there will be physical and psychological changes.

2. Hearing Hearing

Music therapy is the best medicine, it can soothe the hearts of people, different music to change your mood.

3. Smell smell

It is the sense of smell directly to the original organ, the use of fragrance can be emotional adjustment, change and even organs.

4. Tactile Touch

Physical contact, can provide the warmth of the healing effects of physical and mental It is very helpful.

5. Taste taste

More than food to sustain life, eat well, who can become the soul of diet doctors.

Visual charge zone

Tips 1 reading a different book

Internet every day to find the information you can have a profound thought, which is why you see? Most people have to answer to their studies or work. In other words this is not the same as the book is not to raise their own, just like it will let you discover the fun of the ordinary to have a different perception of the soul.

“Like a Dream wedding day,” Bandits, I keep thinking

Reading a love story Chun-chun, who think green years, the secular change of pure love, not even mind have been washed.

“Princess Lulu turned fat mind” LULU

23-year-old has been plagued overweight after the yoga work hard, and successfully lose weight. LULU looked at the thin road, we encourage you.

Tips 2 with the lights to change the atmosphere

People are visual animals, as long as the environment changes a little light, big city feel different. Different lighting effects large, fluorescent white light gives a sense of calm, light-yellow give a sense of warmth, candlelight and gives a sense of romance is to create a romantic, warm feeling of choice.

Tips 3 planting green plants

You have pots of green plants give it a try. Green plants not only clean air, but also beautify the visual space. If their planting green plants can not only alleviate the physical and mental, is looking at the effects of more plants to thrive, even life will be full of hope.

Hearing charging zone

Tips 4 will be light music when the alarm

Early up the mood will affect the mood of the day, with its rigid ring downtown, it is better to put birdie-ming or light rock music, today’s mood with the music you decide you!

Tips 5 to switch off their mobile phones

Most people now have the information anxiety disorder, even a small collection of information, a newsletter are very anxious. I will choose a day to switch off mobile phones, computers now, this is a period you get along with their own time to digest the day’s sentiment experience, do not look down on mobile phone related action, it is a masterpiece of courage and wisdom.

TIP 6 sing KTV decompression

Many people feel depressed when they choose to K song, this time to sing Bianting Bian, and even dancing along with the body, release your emotions, crying, laughing or what, you swept away the haze.

The sense of smell charge zone

Tips 7 to go outdoors to enjoy fresh air

And on the outskirts of the city’s air is not the same, little pollution and disruptive of the city, close to outdoor holiday or weekend, is not only the activities of bones, and a new look physically and mentally.

Tips 8 to change the use of a bad smell throughout

Plants have a wonderful aroma of magic, it into the air, breathing in providing a different effect. To choose their favorite balm, not to simply change the mood.

Tips9 use smell when memory

When other people living with written records, we have chosen to use the memory of the smell, in the early morning sun is warm taste, under the rain off the streets flavor of fresh … … such a training course, you will be interesting to experience the soul of English.

Tactile charge zone

Tips 10 of to embrace a truly

Research that has been embraced as a child more than a number of children grow up less than embrace the more children a sense of security and self-confidence. So you do not mean to embrace, a close embrace, in any language are effective.

Tips 11 to help the body gently massage

Your body will be included in the list of maintenance, to help massage their own, or Bang Bieren massage, relaxation is not just physical, but also to ease the purification of the soul.

Tips 12 to embrace the sun

In order to whitening, a lot of girls into account to avoid ultraviolet Qianwan Bai, in fact, the sun is happy to let you have a factor on the basis, so do the basis of sun, eyes closed, the moment of daylight to enjoy it!

Taste charge zone

Tips 13 custom light, fresh fruits and vegetables on

Check your daily diet is rich or outside the family meal, eating too much starch, so leave in a few days to arrange their own fruits and vegetables fresh light on it to cool less of the burden of eating fruits and vegetables, you have the stomach to relax .

Tips 14 do not add sugar-free – flowers, tea

Coffee, cola, beer, unconsciously, you drink in fat, so choose the health section of the flowers, tea, chrysanthemum-money regardless of the fire, beauty roses, lemon detoxification, you have a new self-display.

Tips 15 slowly to enjoy a meal

You how much to eat a meal in five minutes or 10 minutes, fast meal is the root cause of obesity, so Xiangshou, slowly trying to enjoy a banquet, which will let you more than 50% of the health of the return.

About the Author

http://www.healthdoctoronline.com/?p=128

The Final Fantasy Legend

Gameplay

The protagonist in a town, standing in front of an inn and guild hall

In Final Fantasy Legend, the player navigates a character throughout the game world with a party of up to four characters, exploring areas and interacting with non-player characters. Most of the game occurs in towns, castles, caves, and similar areas. To aid exploration on the field screen, Final Fantasy Legend makes use of various signs within towns. Initially, the player is limited to the World of Continent to explore, and given access to later worlds as his or her party climbs the Tower. Players can save their game anytime and anywhere when not in combat to the selected save slot for later playing.

Players can journey between field screen locations via the world map, a downsized representation of Final Fantasy Legend’s various worlds. Players can freely navigate around the world map screen unless restricted by terrain, such as water or mountains. The goal in each world is to find the entrance to the next level of the Tower. Random enemy encounters occasionally interrupt travel across the world map screen and hostile areas, as in other Final Fantasy related games.

Classes

At the beginning of the game, the player must choose a character class, gender, and name for the group’s “party leader”. There are three available classes: humans, mutants (espers in the Japanese version), and monsters, each with its own strengths and weaknesses. Character classes cannot be changed once the game has begun. Afterwards the player may recruit up to three additional party members through a similar process via “Member Guilds” found in various towns. Characters may also be recruited to replace fallen party members, save for the party leader. Higher-level party members may be recruited at later towns in the game.

A character’s performance in battle is determined by numerical values (“statistics”) for categories such as agility or strength. Each statistic has a range of 1 to 99. Statistical categories include strength, the effectiveness of physical attacks, defense, the ability to reduce damage received, agility, the effectiveness of ranged weapons or skills and at avoiding attacks, and mana, the effectiveness of magical attacks. In addition, a character’s health is measured in hit points (HP), consisting of a current HP statistic and a maximum HP statistic, ranging from 0 to 999. Character statistics are relative to their class. Humans feature higher HP levels, strength, and defense, while mutants are physically weaker but feature a higher mana statistic. Human and mutant statistics can also be amplified by the types of equipment the character is wearing. Monster-class characters are dependent on their sub-class, and their statistics vary greatly.

Humans raise their statistics through items found throughout the game that grant permanent bonuses, such as “STRENGTH” or “HP200″. Mutant attributes will simply increase by random increments after battles, and new abilities may be gained (or lost) in the process. Abilities gained differ slightly between male and female mutants, the females gaining stronger abilities faster initially in comparison to the males. Monsters change in power by consuming “meat” dropped in battles and, depending on the monster the meat is from and the monster’s current sub-class, may transform into a stronger or weaker sub-class or fully recover health.

Equipment and abilities

In addition to a variety of classes, the game features equipment from different genres, ranging from magic and swords of fantasy to plasma rifles and chainsaws of science fiction.

The basic function of equipment in SaGa games is to increase character attributes; arming a character with a gold helmet, for example, increases his or her base defense statistic. “The amount of equipment that can be placed on any one character at any time depends on the character’s class. Humans can hold eight, mutants four, and monsters none. There are five types of armor : shields, helmets, breastplates, gauntlets, and shoes. Only one of each at a time may be added to one character and cannot be added to monsters. Weapons, which include swords, hammers, whips, spell books, and guns, can be used only a certain number of times before breaking and becoming unusable, and must be re-purchased in towns in order to become usable again. Shields can be used as items in combat, and will reduce damage dealt to the user by enemy attacks. Most feature a limited number of uses, and the shield will be destroyed when reduced to zero.

In addition, mutants and monsters have various spells/abilities that depend on their battle experience and sub-class. These come in one of four categories: attack, non-combative, healing, and resistances/weaknesses. When used in combat, attack spells and abilities will damage a target by an elemental type, while non-combative spells and abilities inflict various status ailments or grant various benefits upon a target such as “blindness”. Healing spells and abilities will restore a target’s HP, and can be used outside of combat. Certain spells/abilities have additional traits, such as affecting a group of enemies or draining HP from a target. Each spell and ability has a finite number of uses, and once depleted the party must visit an inn in order to recharge them. Resistances and weaknesses are abilities that are active throughout combat. Represented by an “O” or “X” next to the related element or status ailment, they give the user either resistance or weakness to one or more types of attack respectively, and in the case of status ailments grant immunity against a particular ailment.

Curative items can also be found or purchased in the game through various means, and can be used from a character’s inventory or the items sub-menu to restore HP or remove a status ailment in or out of combat. In order to be used during combat, these must be placed in a party member’s inventory, using up one of the character’s weapon slots. Each item has a single use, though up to 99 can be carried by any character and/or in the menu.

Combat

Whenever the playable character encounters an enemy, the map changes to the “battle screen”. On the battle screen, the enemy appears at the top, above the characters currently in the party; each battle uses a menu-driven turn-based system. At the beginning of each turn, the player selects whether to fight or attempt to run. If the fight option is selected, the player selects an action for each party member from his or her equipment or skills to attack, defend, use magic, or use equipped items. Once the player has chosen actions for each player character, the player characters and enemy begin battle. Participants move one at a time determined by their agility statistic. In the event the player attempts to use the “run” option to escape combat and fails, the party skip their turn and the enemy attacks. Combat ends if the party successfully flees, all enemies are defeated, or all player characters are defeated. In the last case, the game ends and must be reloaded from the last save.

Winning battles may award the player money (GP) and items. Enemy monsters will also occasionally drop meat, which can be consumed by monster-class characters. Mutant classes may “evolve” at this point, randomly gaining either increased statistics or a new random magic spell. Party members that lose HP during combat can have them restored via curative items, spells, inns, or elements of the world such as healing fountains. If a party member is defeated in battle, with the exception of the starting character he or she loses a “heart” and must be resurrected in a town via the building with a large heart-shaped symbol on it. Defeated characters with no remaining hearts cannot be revived, and their spots in the party can be filled with new characters recruited from a town guild.

Story

Setting

The Final Fantasy Legend takes place on several worlds centered around a large tower, built by the Creator in ancient times (God in the Japanese version) to link the worlds together. There are four unique major worlds that make up different layers of the tower: the World of Continent at the base, the World of Ocean on the 5th floor, the World of Sky on the 10th, and the World of Ruins on the 16th. Between the different levels of the tower time does not flow at a constant pace, resulting in some worlds being more technologically advanced than others. Monsters of various kinds come forth from the tower into each world, and though many are hostile some of them are friendly to humans and are willing to coexist with them. In addition an offshoot of the human race named mutants also exist in each world, magically attuned descendants of a union between humans and the World of Continent’s older races.

The World of Continent is a large land mass ruled by three kings that each carry a piece of equipment to open the tower’s entrance, in constant war with each other for control of their world. The World of Ocean consists of a variety of small islands surrounded by water, each connected by small caves. Because of pirates roaming the sea of this world, travel by ship is impossible. The World of Sky consists of large land masses suspended in clouds, and is ruled by a powerful dictator from his flying castle. The World of Ruins is a technologically advanced cityscape, reduced to a post-apocalyptic wasteland by constant monster attacks.

Plot

Standing in front of the tower, the hero and party learn that they cannot climb it to paradise without first unsealing the door at its base. In the base world, three kings named Armor, Sword, and Shield fight for dominance using a piece of legendary equipment corresponding to their names. Visiting King Armor, the party learns that he is in love with a girl who returns his feelings, but cannot marry him due to a bandit who holds her village hostage out of his own desire for her. They defeat the bandit, and the king gives them his armor in gratitude. King Sword attacks the heroes, who vanquish him and take the sword. Lastly, King Shield is murdered by his own steward, and after a short fight, the party recovers his shield. Restoring the items to a statue of a great hero, they receive the Black Sphere, but are attacked by Gen-bu the Black Tortoise and the first of four fiends controlled by Ashura. They vanquish him, and use the power of the Sphere to enter the tower.

After climbing the tower they come to another door and find a second world, surrounded by large bodies of water. By navigating some caves, they find a floating island which allows them to travel around the world by air. Locating an old man, Ryu-O, and solving his riddle the party obtains the Airseed, allowing them to breath underwater and enter the undersea palace. They encounter the second fiend Sei-ryu the Azure Dragon, and after defeating him recover half of the second sphere. Upon returning to the Ryu-O, he reveals himself to be the guardian of the other half of the sphere, and the two halves form the Blue Sphere.

Using the Blue Sphere to continue up the tower, the party comes to a world of clouds, dominated by Byak-ko the White Tiger and an army of thugs. They learn that an underground resistance movement was recently wiped out by Byak-ko, with the exception of the two daughters of its leader, Millie and Jeanne. The party joins Byak-ko’s gang temporarily to find the girls, and attempt to defend them until Millie betrays Jeanne and the party is captured. Breaking free, they confront the fiend, who attempts to kill Millie, but Jeanne takes the blow and the party engages the fiend. Defeating him they recover the White Sphere and continue their journey.

The fourth world is a post-apocalyptic wasteland, where Su-Zaku the Vermilion Bird, roams the surface defended by an impenetrable forcefield. The party retreats to an abandoned subway for refuge, and meets Sayaka, who advises them of the nearest town. There the party is confronted by the leader of a biker gang, So-Cho, but his sister Sayaka intervenes and the two groups agree to work together to defeat Su-Zaku. As they gather the needed parts for a device to deactivate the forcefield, So-Cho sacrifices his life to guide the party through an atomic power plant, the town is ambushed by beasts, and Su-Zaku kidnaps Sayaka. After defeating Su-Zaku, the party earns the Red Sphere and travels on.

Climbing the tower, the party discovers the remains of a family that attempted to reach Paradise but failed, and a library suggesting Ashura is controlled by someone else. At the top, they encounter him guarding the final door, offering them each one of the worlds to control, but they refuse and defeat him. Before they can pass through the door, a trap drops them to the bottom floor. Encountering the allies they made along their journey, they decide to rescale the tower. As they climb stairs that wrap outside of the tower, they encounter each of the fiends revived and defeat them. At the top, they find the Creator, and learn that the fiends and the tower itself are actually part of a game created by him to see heroes defeat evil, and that in succeeding they would be granted a wish as a reward. Angry at being used they reject the reward and challenge the Creator, who insists that because he created everything he was allowed to use them as he saw fit. They then attack the Creator, and after defeating him the heroes discover a door leading to an unknown location. After considering going through it, they decide instead to return to their own world.

Development

The first installment of the SaGa series in Japan and first Game Boy game by Square, it was conceived by Nobuyuki Hoshino, and developed under director Akitoshi Kawazu, two years after Final Fantasy was released. Noting the success of Tetris on the Game Boy and the popularity of the Game Boy itself, then-Square president Masafumi Miyamoto requested a development team create a game for the system. Kawazu, partnered with Kichi Ishii, decided that instead of creating a game similar to Tetris that they would create one they felt consumers desired: a role-playing game.

The concept behind the game was to develop a title that could be completed in six to eight hours, based upon the amount of time an airplane flight between Narita, Japan and Honolulu, Hawaii takes. In addition, the game was developed with consideration for short bursts of gameplay, such as from one train station to the next. To accommodate this, the random battle encounter rate was increased in comparison to Square’s other role playing games to ensure players would have at least one enemy encounter while playing for a short period of time and to keep the game interesting. Final Fantasy Legend was designed to be difficult and have advanced gameplay, described by Kawazu as the main difference between the SaGa and Final Fantasy series. Several other ideas were also implemented to distance the games, such the “meat” system which resulted from the suggestion to allow players to collect enemy abilities, though initially proved difficult to portray.

During development, Kawazu took a direct hand in shaping Final Fantasy Legend’s scenario development, working alongside Ishii, Takashi Tokita, and Hiroyuki It, who were all involved in other Square projects at the time. Ishii and It additionally developed the game’s world layout and geography, with Ryko Tanaka designing the background graphics. Concept art for characters was developed by Tokita, who also handled the in-game sprites. In an interview, Tanaka noted that due to the 2-megabit capacity of the Game Boy’s cartridges at the time, the team was severely limited with what they could do and some elements were removed from the finished game to maintain peak performance.

Audio

The game’s soundtrack was composed by Nobuo Uematsu and consists of sixteen tracks, and despite Game Boy’s limited audio capabilities Uematsu emphasized that it was a system he would like to compose music for again. He added while the game’s music could be made of better quality, the emphasis was on enjoying the game, and not solely its appearance or sound. The Game Boy’s sound hardware was different than the Famicom’s, with a new stereo option, unique waveforms and only three musical notes; as a result, he struggled with deciding how to compose the soundtrack, developing new waveforms in the process despite Kawazu’s desire to have the music be in the same vein as Square’s two preceding Final Fantasy titles.

Several songs from the game have been reused for later titles or appear on compilation soundtracks, such as the game’s “Battle” theme. The introductory music, titled “Prologue”, was reused and remixed as the opening for the next two SaGa games, while “Heartful Tears” (also known as “Wipe Your Tears Away”) would become a staple for later SaGa titles, used in five of the games and arranged differently each time. Fifteen of the tracks were later included in the 1991 two-disc All Sounds of SaGa soundtrack, which encompassed the Game Boy SaGa series, and was re-released by Square Enix in December 2004 as SaGa Zenkyoku Shu. The final track of the set, “Journey’s End”, is an arranged version of six of Final Fantasy Legend’s tracks via a synthesizer combined into one by Uematsu. In the liner notes for All Sounds of Saga, Uematsu states he enjoys listening to the track while remembering scenes from the game. The track was later played by the Kanagawa Philharmonic Orchestra in the Press Start 2008 -Symphony of Games- concert as part of the “When Nobuo Uematsu Was Young” medley.

Versions and re-releases

The game was released in Japan in December 1989 as Makai Toushi SaGa and included along with the game’s instruction manual a map for the four major worlds in the game; a revised version followed shortly after. In March 1990, it was translated by Square and planned to be released in in North America with new artwork and renamed The Great Warrior Saga, but was instead released in September under the title The Final Fantasy Legend in order to tie into the popularity of the Final Fantasy brand. Some parts of the game was modified, such as the removal of the game’s credits and increasing the number of times certain weapons could be used. In addition, parts of the game’s text were changed or removed, such as the omission of Ryu-O’s additional riddles and the dead family’s patriarch’s self-sacrifice, the addition of a hint regarding Ashura’s true nature, and alterations to the Creator’s dialogue to make him less sinister. In 1998, Sunsoft acquired the license to the Game Boy “Final Fantasy” games, re-releasing them in North America the same year. Despite advertising the game as being compatible with Nintendo’s Game Boy Color handheld, the re-released version featured no enhancements.

The WonderSwan version featured improved graphics and new options for party maintenance

In September 2001 Square announced a re-release of The Final Fantasy Legend for Bandai’s WonderSwan Color unit, and in March 2002 a Japan-exclusive port was released under the Japanese title. The concept art and graphics were redrawn by Toshiyuki Itahana, and cutscenes were added. Players could also now see in advance what a monster would transform into before eating meat left behind after battle. The port also included the option to play through the original Game Boy version intact on the handheld. Other changes an additions were made, such as item usage tweaks, monster names, a bestiary, and a feature added that allowed players to automatically target an enemy with an attack during combat.

As of January 30, 2007, Square Enix had renewed their trademark on the Japanese name for the game, and at Square Enix’s 2007 Tokyo Game Show in September a mobile phone port of the Wonderswan version of the game was made available for play. In 2008, the game was released for download later that year for Japanese i-mode, EZweb compatible phones, and Yahoo! Mobile compatible phones. The port removed the bestiary mode and original Game Boy version of the game, additionally condensing some of the in-game cutscenes. Chinese language support was added to the title, and new shops featuring new equipment for players to use were scattered through the game.

Reception and legacy

 Reception

Aggregate scores

Aggregator

Score

GameRankings

50.63%

Review scores

Publication

Score

IGN

6/10

Nintendo Power

3.7/5.0

Power Play

78%

Allgame

3.5/5.0

Awards

Entity

Award

Nintendo Power

3rd Best Game Boy Game of 1990

Nintendo Power

70th Best Nintendo Game

Pocket Games

8th Best Game Boy Game

The Final Fantasy Legend is Square’s first game to sell over a million copies, with the Game Boy version alone having shipped 1.37 million copies worldwide as of March 31, 2003, 1.15 million of which were shipped in Japan. The game was quickly followed by two sequels for the Game Boy, with later games under the SaGa franchise released on other video game consoles. The one-eyed monster featured on the Japanese box art later appeared in the sequel as a character named “Teacher”, and became the series’ mascot. Outside of Square, Game Freak founder Satoshi Tajiri cited the game as an influence behind the Pokmon series on the Game Boy, stating it gave him the idea that the system could handle more than action games.

Since its release the game has received mixed reception, with an aggregate review score of 50.63% on GameRankings. IGN called Final Fantasy Legend a “compelling RPG with a complex gameplay system and a solid soundtrack”, though complained about the game’s difficulty and described its graphics as appearing “dated”. German gaming magazine Power Play gave the game a score of 78%, but praised it for showing potential for the Game Boy and its role as the first role-playing game on the title. Allgame praised the title on its merits as a role-playing game, but complained about its high difficulty and a lack of a sense of direction. 1UP.com’s Retronauts described its gameplay as a successor to Final Fantasy II’s, noting that the randomness of the mutant and monster character classes made the game very difficult, and was not properly refined until the game’s sequel.

Other sources and publications have reacted to the game more favorably. Author Jeff Rovin praised the title heavily in the book How to Win at Game Boy Games, noting the manual as thorough and adding while not as complex as The Legend of Zelda, the game was a “masterful achievement for the Game Boy unit, and a superlative game of [its] kind”. In May 1991, Nintendo Power named the game the third all-around best Game Boy game of the previous year, and in September 1997 they ranked it 70th on their list of the “Top 100″ games to appear on a Nintendo system, stating that it had “stayed true to the Square Soft tradition”. 1UP.com’s Jeremy Parish called it one of the “essential” games for the Game Boy as well as one of the best of 1989, citing its introduction of new ideas that contrasted against the Final Fantasy series and calling it “a pretty decent portable RPG in its own right”. GameDaily named it alongside the related Game Boy Final Fantasy titles as definitive games for the system, describing it as providing “hours of role-playing excitement, whether you were waiting in a dentist’s office or on the way to Grandma’s house.” The sentiment is also shared by others such as Electronic Gaming Monthly, Pocket Games, and GameSpot, the latter two naming it one of the top fifty games for the Game Boy.

The difficulty and significance of the game’s final boss, the Creator, has been mentioned by several sources. GamePro named him one of the “47 Most Diabolical Video-Game Villains of All Time”, placing him 37th on the list and adding “You gotta wonder… how many hit points did the developers give God?” 1UP.com described the battle briefly as “epic”, noting it as part of a recurring theme of Japanese role-playing games featuring characters banding together to kill God. Comedian Jackie Kashian referenced the Creator on Comedy Central Presents, describing the game’s final battle as “the worst premise ever of any video game”, though stated that regardless she continued trying for eight months to defeat the boss.

In February 1990, Futabasha Publishers Ltd. released a book titled Makai Toushi Saaoukenshatachi no Rekuiemu (?, Requiem of their Adventures). Written by Misa Ikeda, the 287-page book was part of Futabasha’s Game Boy Adventure series for children, and detailed a hero’s trek to the top of the tower to reach Paradise. In October 1992, the game was one of four titles featured by Game Player’s magazine on a video tape named Game Player’s Gametape for Game Boy Games, which demonstrated the game and offered a tutorial for playing it.

References

^ a b c “SaGa All Sounds Soundtrack”. VGM World. http://www.vgmworld.com/catalog/index.php?table=cocoebiz_music&item_num=424. Retrieved 2009-06-04. 

^ Square Co. pp. 24-25. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b Square Co. pp. 22-23. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 12. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b Square Co. p. 32. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 25. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 24. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b c Square Co. p. 18. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 7. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ ” (Espers)” (in Japanese). Square Enix.. http://www.square-enix.co.jp/mobile/sem/saga/chara/esper.html. Retrieved 2009-06-04. 

^ Square Co. p. 13. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 14. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b Square Co. p. 28. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b Square Co. p. 8. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b c d Square Co. p. 9. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b Square Co. p. 31. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b c Square Co. p. 10. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Staff (2009-05-23). “E:7″ (in Japanese). GameSpot Japan. http://japan.gamespot.com/topics/story/0,3800076357,20393581,00.htm. Retrieved 2009-05-25. 

^ Square Co. p. 54. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 38. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b Square Co. p. 39. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. pp. 43-45. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 42. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. pp. 40-41. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. pp. 19-20. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 20. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 40. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 46. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 21. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 76. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 3. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ a b Square Co. Makai Toushi SaGa. (Square Co). Game Boy. Level/area: Before Ashura (in Japanese). (1989-12-15) “Diary: ”

^ ” Saa”. Square Enix. http://www.square-enix.com/jp/archive/saga/. Retrieved 2009-06-04. 

^ Square Co. p. 2. Final Fantasy Legend, map insert, Retrieved on 2009-06-04.

^ Square. Final Fantasy Legend. (Square). Level/area: Floor 7. “Staute: You will lose track of time while in the tower.”

^ Square Co. p. 2. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. p. 55. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square. Final Fantasy Legend. (Square). Level/area: World of Ocean. “The caves are connected to various islands.”

^ Square. Final Fantasy Legend. (Square). Level/area: World of Ocean. “A voyage by ship is too dangerous because of pirates.”

^ Square. Final Fantasy Legend. (Square). Level/area: World of Sky. “Byak-Ko rules the sky from the gigantic flying castle.”

^ Square. Final Fantasy Legend. (Square). Level/area: World of Sky. “Ameyoko town is to the northeast, but because of Su-Zaku we are afraid to travel there.”

^ Square Co. pp. 47-74. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-04.

^ Square Co. pp. 75-78. Final Fantasy Legend, instruction manual, Retrieved on 2009-06-05.

^ Square Co. The Final Fantasy Legend. (Square Co). Game Boy. Level/area: before Ashura. (1990-09-30) “Diary: We barely made it to this shelter. We’ve run out of food and water, so we won’t last much longer. Ken and Yuki, forgive me for leaving you. Akira, take care of your brothers. Creator, please look after the children. / Corpse: This child looks dead…”

^ Square Co. The Final Fantasy Legend. (Square Co). Game Boy. Level/area: before Ashura. (1990-09-30) “Bookshelves: Ashura… is… controlled… by… the… / PartyMember1: We cannot read this final word. / PartyMember2: Who controls Ashura…?”

^ Square Co. The Final Fantasy Legend. (Square Co). Game Boy. Level/area: vs. Ashura. (1990-09-30) “Ashura: So, you’ve made it this far. I’ll make a deal with you. PartyMember1: A deal? / Ashura: I’ll give each of you a piece of the world. How does that sound? / PartyMember1: No way! We’ll never work for you. / Ashura: I was just being nice, but now you’ve pushed your luck.”

^ Square Co. The Final Fantasy Legend. (Square Co). Game Boy. Level/area: vs. the Creator. (1990-09-30) “Creator: Congratulations! I’ve been waiting for you. You are the first to finish the game. / PartyMember1: Game? / Creator: Yes, it’s a game I created. / PartyMember2: What do you mean? / Creator: People did not know what courage and determination meant. So, I created Ashura to see what people would do. / PartyMember4: You are crazy! / Creator: Ashura tested all of you. / PartyMember3: So, it was a game? / Creator: That’s right. I wanted to see a hero defeat this evil. / PartyMember1: We were all piece of your design! / Creator: You understand well. Many have failed the test, but it was refreshing to courage in the face of danger. I want to reward you for your accomplishment. I will grant you a wish. / PartyMember2: We didn’t do it for a reward. Besides, you used us! / Creator: What’s wrong with that? I created everything. / PartyMember1: We are not things! / Creator: How amusing…You are trying to pick a fight with me! Are you sure? It’s the destiny of mortals…Very well. Remember the greatness of my power!”

^ Square Co. The Final Fantasy Legend. (Square Co). Game Boy. Level/area: Epilogue. (1990-09-30) “PartyMember4 It’s done. / PartyMember1 … … / PartyMember2 What are we to do now? / PartyMember1 … … / PartyMember3 Is there another world beyond? / PartyMember1 Shall we go there? / PartyMember2 It doesn’t matter to me. / PartyMember4 Well, we didn’t do too badly. / PartyMember3 That’s right. We defeated all of the evil. / PartyMember1 Let’s go! Others Where? / PartyMember1: To our world!”

^ a b c d Square Brand. All Sounds of SaGa, Line Notes. p. 1. Retrieved on 2008-06-28.

^ a b c Staff (2000-09-20). “The Final Fantasy IX Team Spills All”. IGN. IGN Entertainment. http://psx.ign.com/articles/085/085276p1.html. Retrieved 2009-05-24. 

^ a b “” (in Japanese). Gpara.com. http://www.gpara.com/contents/creator/bn_157.htm. Retrieved 2009-06-01. 

^ Staff. “” (in Japanese). Wii.com. Nintendo. p. 3. http://wii.com/jp/articles/ffcc-cb/crv/vol/page3.html. Retrieved 2009-11-18. 

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^ “NTERVIEW ” (in Japanese). Famitsu.com. Famitsu. 2001-09-28. http://www.famitsu.com/game/news/2001/09/27/103,1001592043,1486,0,0.html. Retrieved 2010-02-02. 

^ Boyes, Emma (2006-10-25). “Q&A: Final Fantasy XII producer Akitoshi Kawazu”. Gamespot. http://www.gamespot.com/news/6160463.html?print=1. Retrieved 2009-06-04. 

^ a b Square. Makai Toushi SaGa. (Square). Game Boy. Level/area: Ending credits sequence. (in Japanese)

^ “SaGa Staff Credits” (in Japanese). CritiqueofGames. http://www.critiqueofgames.net/data/ros/kai-saga.htm. Retrieved 2009-06-04. 

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^ “Square Enix Battle Tracks Vol. 1″. VGM World. http://www.vgmworld.com/catalog/index.php?table=cocoebiz_music&item_num=1210. Retrieved 2009-06-04. 

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^ “Video Game Soundtrack – SaGa Zenkyoku Shu”. Play-Asia. http://www.play-asia.com/paOS-13-71-8l-77-7-49-en-70-rnt-43-n9.html. Retrieved 2009-06-04. 

^ Staff (2008-08-29). “Press Start 2008-Symphony of GamesS”. Famitsu. Enterbrain. http://www.famitsu.com/game/news/1218410_1124.html. Retrieved 2009-06-01. 

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^ Dekeles, Jon (1990). Video Game Quest: The Complete Guide to Home Video Game Systems, Video Games, and Accessories. DMS. ISBN 0962505722. 

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^ . . 2002. ISBN 4887870329. 

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^ Square Co. Makai Toushi SaGa. (Square Co). Game Boy. Level/area: Before Ashura (in Japanese). (1989-12-15) “Bookshelves: / / / / / PartyMember1: / PartyMember2: ”

^ Square Co. Makai Toushi SaGa. (Square Co). Game Boy. Level/area: vs. Creator (in Japanese). (1989-12-15) “Creator: / PartyMember1: / Creator: / PartyMember2: / Creator: / PartyMember4: / Creator: / PartyMember3: / Creator: / PartyMember1: / Creator: / PartyMember2: / Creator: / PartyMember1: / Creator: ”

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External links

Official Game Boy version info page (Japanese)

Official WonderSwan Color version website (Japanese)

Official mobile phone version website (Japanese)

v  d  e

SaGa series

Final Fantasy Legend

The Final Fantasy Legend  Final Fantasy Legend II (SaGa 2)  Final Fantasy Legend III

Romancing SaGa

Romancing SaGa  Romancing SaGa 2  Romancing SaGa 3

Other titles

SaGa Frontier   SaGa Frontier 2  Unlimited Saga

See also

Music

v  d  e

Final Fantasy series

Main games

Final Fantasy  II  III  IV  V  VI  VII  VIII  IX  X  XI  XII  XIII  XIV  XV

Sequels

Final Fantasy IV: The After Years  Final Fantasy X-2  Final Fantasy XII: Revenant Wings

Related series

Chocobo  Crystal Defenders  Compilation of Final Fantasy VII  Fabula Nova Crystallis Final Fantasy XIII  Final Fantasy Crystal Chronicles  Ivalice  Kingdom Hearts  Mana  SaGa and Final Fantasy Legend

Related games

Final Fantasy Tactics  Dissidia  Ehrgeiz  Final Fantasy Adventure  Final Fantasy Mystic Quest  Hikari no 4 Senshi: Final Fantasy Gaiden  Fortress

Films and animation

Final Fantasy: Legend of the Crystals  Final Fantasy: The Spirits Within (Aki Ross)  Final Fantasy: Unlimited  Final Fantasy VII Advent Children  Last Order: Final Fantasy VII

List of Final Fantasy media  Character design  Gameplay  Minigames  Music

Categories: 1989 video games | Final Fantasy games | Game Boy games | Mobile phone games | SaGa | WonderSwan Color games
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